Favorite wives of the Iranian sheikh. About real photos from the Iranian harem. Fake? I think no

Now let's turn it around a little known facts about harems. When I saw these photographs, which recently became public, I thought about how society’s demands on the ideals of a woman’s appearance are changing. After all, in essence, kings and kings were the standards by which they were compared in society. At least know. And it would be nice to have a harem, everyone has already seen them. But it's not that simple. Let's start with how the female half of the house of the rich Iranian Shah dressed.

Nasser ad-Din Shah Qajar (from Azerbaijani Nəsrəddin şah Qacar) is the fourth Iranian Shah. He has ruled since 1848. He ruled Iran for more than forty-seven years. By the way, one of the longest, in the entire history of Iran at 3000 years. It is known that he was a fairly well-educated man. He was known and disliked for his idleness and being spoiled by luxury. Well, that's why he's the Shah.

Nasser ad-Din Shah Qajar - in person. Fame came to him because of the harem.

So what is it about this harem, you ask? Let's start with the fact that the Shah was fond of photography. And if not for his hobby, then no one would have seen how his concubines lived.

Anton Sevryugin prepares the Shah for photographing.

His childhood hobby of photography turned into a serious hobby as soon as he grew up. A special photo studio was built in the palace. And in 1870, an atelier was opened under the direction of a Russian photographer - Anton Sevryugin. it was located in the city of Tehran. Subsequently, he became the official and very famous wedding photographer at the Shah's court. He was tasked with keeping a chronicle Iran in photography. For this activity he received awards.

The palace ruler is Gulistan.

Sevryugin could photograph not only the ruler, but also his relatives (men only) and servants. But the bishop decided to remove his numerous wives on his own. The chronicle indicates their number - approximately 100.

Anis al-Doleh appears to be playing a musical instrument.

The ruler printed the photographs himself in a darkroom at court. Special albums contained the works of the Iranian creator. Now there is a museum in the Golestan Palace.

Concubine Anis al-Doleh sits.

The unusual thing about his photograph is that at that time it was forbidden to photograph a person’s face, and photographing a woman was terribly prohibited. Well, as they say - “What is allowed to Jupiter is not allowed to the bull.” The Shah could photograph anyone and anything. Try to refuse him.

The most beloved wife from the harem is Anis al-Doleh, sitting on the right.

These photographs changed everything society knew about the hidden life in the harem. The wives look confident and calm. They are quite willing to pose in front of the camera, without being afraid of it.

Completeness is the standard of beauty that people look up to.

All the women of the harem were not afraid to lose weight.

The photographs show women with mustaches and thick eyebrows. For the East this is a common occurrence. The girls were absolutely not hungry, were not intimidated and did not engage in physical labor. Moreover, they were specially fed a lot and were almost not allowed to walk.

But here interesting fact, many wives are depicted in short dresses. This is roughly what ballerinas perform in ballet.

In 1873, the Iranian ruler came to St. Petersburg. Alexander II personally invited him. Here he saw the ballet. He charmed him so much that he introduced ballet tutus for his wives, locally known as shalitekh. True even in front of the cameraIt was decided not to give up scarves.

The servant sets up a hookah for the Shah's disguised servant, a man named Zainab. Vladyka had a sense of humor. Even dressed up men.

These were the beauty standards in 19th century Iran.

UPD: a revelation has appeared, although without proof, that this is supposedly a photo of male actors of the first state theater created by order of Shah Nasereddin (a great lover of European culture) at the Dar el-Funun Polytechnic School in 1890, who performed satirical plays only for the palace nobility . The organizer of this theater was Mirza Ali Akbar Khan Naggashbashi, who is considered one of the founders of modern Iranian theater. Since women were prohibited from performing on stage, these roles were performed by men. The first women appeared on stage in Iran in 1917.

And the answer on the other hand, the photo was commented on by a senior researcher at the Center for Arab and Islamic Studies at the Institute of Oriental Studies of the Russian Academy of Sciences, Candidate of Historical Sciences, Boris Vasilievich Dolgov:

“The photos are really women. These are not hermaphrodites and not men, as many today might think. Of course, there were also such inhabitants in harems, but they were kept secret, since the Koran did not welcome these things. And as for beauty... As you know, there are no comrades according to taste and color. Regarding vegetation, this is typical for Eastern women. However, it cannot be ruled out that the owner of the harem simply liked “mustachioed” ladies. Fused eyebrows were fashionable at the time, and fullness was synonymous with beauty. The women in the harem were specially fed very tightly and were not allowed to actively move.”

The harem seems to the European to be a kind of abode of young and beautiful women from the Arabian fairy tales “1000 and one nights”. Meanwhile, interesting photos of the harem of Nasser ad-Din Shah Qajar, who ruled Iran at the end of the 19th century, destroy the prevailing stereotypes. In our review you can see the beauties of the Iranian ruler's harem with your own eyes.

Nasser ad-Din Shah Qajar, the fourth Shah of Iran, gained power in 1848 and ruled for 47 years. His reign was the longest in Iran's 3,000-year history.

Historians say that for his time, Nasser ad-Din Shah Qajar was well educated and was known as a sybarite, so much so that he subsequently displeased his associates.

One of Shah Qajar's many passions was photography. He liked photography as a child, and when he came to power, he decided to create the first official photo studio in his palace. In the 1870s, Russian photographer Anton Sevryugin opened his studio in Tehran, who became the court photographer of the Iranian ruler. Sevryugin created a photographic chronicle of Iran and was awarded an honorary title for his services.

A Russian photographer could photograph the Shah himself, his male relatives, courtiers and servants. And Qajar, an ardent admirer of photography, reserved the right to photograph his harem, in which, according to historians, he had about 100 concubines.

The extraordinary nature of the photographs lies in the fact that according to Shiite laws at that time it was not permissible to photograph people’s faces, and especially the faces of women. And only the most powerful man in the country could afford to break the law.

The incomparable Anis al-Doleh - the beloved wife of the Shah (right)

Anis al-Doleh, or the Soulful Friend of the Power

The incomparable Anis al-Doleh (sitting)

Photographs of women challenge the generally accepted idea of life in a harem - the Shah's wives look quite modern for that time and self-confident, they calmly look into the camera lens, without flirting or shyness.

Nasser ad-Din Shah Qajar with some women from the harem

Harem on a picnic

From the photographs one can judge the tastes of the Iranian monarch - all women are in the body, with fused thick eyebrows and a clearly visible mustache. It is clearly seen that the women did not suffer from hunger and were not burdened with physical work. Experts say that Golestan’s collection even contains nude photos, but they are safely hidden.

Young concubine with hookah

In many photos, the harem concubines are depicted in short fluffy skirts like tutus (shaliteh). And this is no coincidence.

They say that in 1873, Nasser ed-Din Shah, at the invitation of Alexander II, visited St. Petersburg and attended the ballet. According to legend, he was so fascinated by Russian dancers that he introduced shalitekh for his women. True, concubines could refuse Muslim headscarves only in front of the camera. However, it is possible that this is just a legend.

The selection of photos was commented on by Boris Vasilievich Dolgov, senior researcher at the Center for Arab and Islamic Studies at the Institute of Oriental Studies of the Russian Academy of Sciences, Candidate of Historical Sciences:

And as for beauty... As you know, there are no comrades according to taste and color. Regarding vegetation, this is typical for Eastern women. However, it cannot be ruled out that the owner of the harem simply liked “mustachioed” ladies. Fused eyebrows were fashionable at the time, and fullness was synonymous with beauty. The women in the harem were specially fed very tightly and were not allowed to actively move.”

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The other day, news spread around the world: North Korean leader Kim Jong-un has revived the tradition of his grandfather and father and started his own harem, the “Garden of Delights.” The harem seems to the European to be a kind of abode of young and beautiful women from the Arabian fairy tales “1000 and one nights”. Meanwhile, interesting photos of the harem of Nasser ad-Din Shah Qajar, who ruled Iran at the end of the 19th century, destroy existing stereotypes. In our review you can see the beauties of the Iranian ruler's harem with your own eyes.

Nasser ad-Din Shah Qajar, the fourth Shah of Iran, gained power in 1848 and ruled for 47 years. His reign was the longest in Iran's 3,000-year history.

Historians say about Nasser ad-Din Shah Qajar that for his time he was well educated and was known as a sybarite, so much so that he subsequently displeased his associates.

One of Shah Qajar's many passions was photography. He liked photography as a child, and when he came to power, he decided to create the first official photo studio in his palace. In the 1870s, Russian photographer Anton Sevryugin opened his studio in Tehran, who became the court photographer of the Iranian ruler. Sevryugin created a photo chronicle of Iran and was awarded an honorary title for his services.

It is known that Nasser ed-Din Shah printed the photographs himself in the palace laboratory and kept them in satin albums in his Golestan Palace, where the museum is currently located.

The extraordinary nature of the photographs of his concubines lies in the fact that according to Shiite laws at that time it was impermissible to photograph people’s faces, and especially the faces of women. And only the most powerful man in the country could afford to break the law.

Looking at the photos of the ladies from the harem, you understand that they look quite modern for their time. Women are confident in front of the camera, calm, not timid or flirtatious.

One can even assume that the wives in the harem had friendly relations - some photographs show groups on a picnic.

For a long time, photos from the harem of Shah Nasser ad-Din Shah Qajar with masculine wives have been circulating on the internet. I also fell for the photo of the princess, and they started writing to me that it was a fake. I decided to figure it out. It turned out to be difficult. The photos were mixed up and confused. You can't tell people. But let's try?

The fact is that the Shah’s wives are very... specific. Sometimes they think that they are even actors of the first Iranian theater.

In fact, these are photographs of male actors of the first state theater created by order of Shah Nasereddin (a great lover of European culture) at the Dar el-Funun Polytechnic School in 1890, who performed satirical plays only for the palace nobility.
The organizer of this theater was Mirza Ali Akbar Khan Naggashbashi, who is considered one of the founders of modern Iranian theater. Since women were prohibited from performing on stage, these roles were performed by men. The first women appeared on stage in Iran in 1917.

After delving into the photo, I decided that the photo was not fake. In any case, some people can be traced through decades.

Let's try to track people. For example, the first photo is definitely a photo of the Shah's harem. At least that's how he is attributed. Pay attention to the black boy. Apparently this is a eunuch, and he will appear in other photos. Although I don’t recognize the faces of the wives.

For example, here he has already grown up, but in the photo there is the Shah himself.

Or here he is with a hookah. The wife (concubine?) is also seen several times in seductive poses.

But here it’s not very clear whether it’s him or not? How have you aged? Or were eunuchs simply recruited from blacks? In the center is most likely Ansi (Anis) ol Doleh, the beloved wife of the Shah in her declining years. On the right is the same wife who is standing in the center of the second photo.

Here is Ansiodola at a younger age

And here she is in her youth and absolutely beautiful.

Here she is in European dress.

Now about the daughter of the Shah Esmat al-Dol. It is known that she was almost the first. who learned to play the piano in Iran. There are more photos of her.
The skirt is made of a scarf. In the manner of a tutu that the Shah saw in St. Petersburg in a ballet and was very excited by it.

She is with the daughter and wife of the Shah. Is this her mother? If so, then she is not Ansidola’s daughter.

Below she is with her younger sister

With her on the bench.

She is already in her declining years with a large family.

Looks like the Shah's daughter and grandson. And almost on the same bench.

The Shah himself also loves to be photographed.

Here is his toilet look with his wives through the mirror.

In addition to the photo of the Shah, there are photos Iranian women photographer of Russian origin (Armenian father, Georgian mother) Anton Sevryugin A. He was born in Tehran in the family of an ambassador. His father died early, the family returned to Tbilisi, where Anton studied painting and photography. At the end of the 1870s, he returned to Tehran and opened a photographic studio in Tehran in partnership with his brothers.

Sevryugin became the court photographer of Nasser ed-Din Shah, created a real photographic chronicle of Iran from 1870 to 1930, and for his services even received the title of khan. But it is unlikely that he would have ended up in a harem. However, he filmed other women. It looks like the late photos of the Shah’s daughter are his work.

Unfortunately, only a small part of his photographs remains. Several times his archive was plundered and confiscated. Less than a thousand remain from more than 4 thousand unique photographs. good

Here he is in the frame. And this is clearly not the Shah’s harem.

Well, for starters, what did the princesses of Persia look like already in the 20th century.